Big Science

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	<title>Big Science</title>
	<link>https://big-science.org</link>
	<description>Big Science</description>
	<pubDate>Mon, 12 Sep 2022 18:31:56 +0000</pubDate>
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		<link>https://big-science.org/mobile-menu</link>

		<pubDate>Wed, 23 Mar 2022 14:55:09 +0000</pubDate>

		<dc:creator>Big Science</dc:creator>

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	BIG SCIENCE
	MENU

	
	1. ABOUT / CONTACT / NEWSLETTER

2. ISSUES3. WORKS4.SHOP
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	<item>
		<title>About</title>
				
		<link>https://big-science.org/About</link>

		<pubDate>Fri, 18 Mar 2022 08:52:05 +0000</pubDate>

		<dc:creator>Big Science</dc:creator>

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	NEWSLETTER
	

	POSTAL ADDRESS:&#38;nbsp; Urtegata 46, 0187 Oslo Norway

	EMAIL

	Big Science is an art project by Martin White, the result of research into the freewheeling Norwegian psychiatrist
Carl Wilhelm Sem-Jacobsen, Big Science is serialised across publications, posters, stickers, exhibitions, lecture performances.

Big Science Issue #01 is currently available in a limited, hand assembled and signed edition of 100. Big Science Issue #02 will be released in Autumn 2022. 
Big Science Volume 01 is an upcoming solo exhibition to be presented at UKS (Young Artist’s Society) in Oslo in Spring 2023.


	Martin White (B. 1978, Sydney, Australia) holds an MFA from Oslo National Academy of the Arts (2017), BFA (Hon) from RMIT (2014) and a Postgraduate Diploma in Dramatic Arts (Directing) from the Victorian College of the Arts (2002). Prior to his artistic practice, Martin has directed performance, film and television. Alongside his artistic practice, Martin has published essays and reviews, sat on award and grant panels, worked as a researcher, and taught. 

Solo / Duo shows include Oslo Kunstforening (2019) and Tokonoma at Melk (2018). Group shows include Høstutstillingen (2021) and Norsk Teknisk Museum ‘Making Sense Together’ (2017).


	EDUCATION 2015 – 2017 Oslo National Academy of the Arts (KHiO), Master of Fine Arts 2011 – 2014 RMIT, Bachelor of Fine Art (First Class Honours) 2002 Victorian College of the Arts, Graduate Diploma of Dramatic Art (Theatre Direction) 


SOLO / DUO SHOWS 2023 ‘Big Science Volume #01’ UKS (Unge Kunstnernes Samfund) Oslo, (NO) 2019 ‘Is this OK?’ Oslo Kunstforening, Oslo (NO) 2018 ‘Dust Biter’, Tokonoma at Melk, Oslo (NO)
 
GROUP SHOWS 2021 ‘Big Science’ Issue #001, Høstutsillingen, Kunstnernes Hus, Oslo, (NO)2017 ‘Are We Not Drawn Onward...’ Avgang Utsilling, Kunstnernes Hus, Oslo (NO) 2017 ‘Dust Biter’ FRANK, Malmö, (SWE) 2015 ‘This is Not Just Your Bed’ Bivouac 4, Neon Parlour, Melbourne, (AUS) 


WORK 2022 – Guest teacher, Kunstakademiet, Oslo National Academy of the Arts (NO) 2020 - 2021 Interviewer and producer of ‘Are You OK? Podcast (NO) 2020 Guest teacher Ölandsfolkhögskola (SWE)2019 Examiner, Oslo National Academy of the Arts (NO) 2018 Guest teacher at Oslo National Academy of the Arts (NO)2017 Research assistance for artist Bouchra Khalili 2003 – 2015 Artistic Director, First Impressions Youth Arts, City of Whittlesea, (AUS) 


LECTURES 2018 ‘Are We Not Drawn Onward...’ Teknisk Museum Researcher’s Night ‘Making Sense Together’ (NO)2018 ‘Are We Not Drawn Onward...’ UKS # 12 Minibar ’Free Your Modernity’ (NO) 


SELECTED PUBLIC &#38;amp; COMMUNITY ARTS 2015 ‘THANKS FOR ASKING’ Creator and Director, First Impressions Youth Arts, Plenty Ranges Arts and Convention Centre, Melbourne (AUS) 2013 Facilitator / Director ‘Bunjil’, media project for the City of Whittlesea (AUS) 2012 – 2014 Concept and Creative Producer ‘Delayed Response’, an online artwork responding to Black Saturday, funded by Australia Council Broadband Arts Initiative (AUS) 2003 – 2015 Artistic Director First Impressions Youth Arts, City of Whittlesea (AUS) 


AWARDS / GRANTS 

2022 KORO Preparatory funding for public art proposal2021 BKV 1 year stipend2020 BKV 1 year stipend2019 BKV 1 year stipend2018 Oslo Kommune artist studio, Myntgata2018 BKV 1 year stipend2017 Oslo Kommune diversestipend 2017 Kulturrådet diversestipend2017 FKDS Project Stipend2017 Kulturrådet diversestipend for nyutdannede kunstnere2016 FKDS Development of Practice Stipend2015 Art Start Stipend, Australia Council for the Arts2012 Broadband Arts Initiative, Australia Council for the Arts 


This site was designed by Kim Svensson
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		<title>Is This OK?</title>
				
		<link>https://big-science.org/Is-This-OK</link>

		<pubDate>Tue, 29 Mar 2022 05:48:30 +0000</pubDate>

		<dc:creator>Big Science</dc:creator>

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For this work, Matthew Berka and I created a performative and spatialized video documentary – the subject of the work being the location, the people, the spaces, and the operations of Oslo Kunstforening and the consent of its public and its staff to be video recorded and to become a part of the permanent archive of the institution. The exhibition required us to be in attendance and making work throughout the exhibition’s opening hours. 

The strategies that we proposed turned the institution inside out – operationally and spatially, providing access to the public and providing a working studio to the artists. This work actively rethought how a cultural institution can function.
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		<title>Dust Biter</title>
				
		<link>https://big-science.org/Dust-Biter</link>

		<pubDate>Tue, 29 Mar 2022 05:54:39 +0000</pubDate>

		<dc:creator>Big Science</dc:creator>

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This body


These bodies 


Jan Verwoert 


It's so crazy to be this body. You might get so close to other bodies. But still you are this body, this one, with these bones and organs, this voice, heart and soul. You can look and listen so closely at how somebody else moves, speaks, acts, reacts, like when you live with them, that it feels as if it would just need that little push and you could switch and be right in there, with them, in their body. But then they will do a little thing you didn't know they would be capable of, and in a split second it's clear, no, wait, you are not in there, you hadn't figured this one out, and there's more coming. It's a good thing, right? It's exciting not to know the next move the other will make. But it also means you are out on your own again, in your body, looking, listening. So does this mean that at the end of the day we're all solo? And when I move, then only ever to the beat of my own drum, winding up the coil of my desire till it flips and releases its tension, auto-erotic, self-stimulating, micro-cosmic organ-engine, me, me, pushing, pushing for what satisfaction the buzz of blood in my veins and ears demands: stay on the scene, be this do-your-thing machine? 

Is that why I, may I say we, love the divine performer, that is why performers love the divinity of Freddie Mercury? Is it because, as a sun god, he shines brighter than Louis fucking Quatorze, a hermaphrodite love machine with more orifices than any gender knows, wires and tubes coming out and going back into this body, pumping life fluids from the organism back into itself: Listen, in isolation, to his solo voice pull energy from every breath he takes, turning himself on, winding himself up with any notes he seeks and finds, to become this bio-turbo perpetual motion motor powered double helix propeller of pure desire! I mean, wow! But must this be a flame feeding on the fuel of pure solitude, of being this body, this Freddiebody, this one body only? 

What if it not? Picture Mercury's voice to work like an insect's feelers, a cat's whiskers, or whatever attenas these deep sea fish have to sense the sound vibration in the waters around them where no light goes so eyes are useless. I mean, imagine that with each and every gasp, half-formed note, and pleasurable micro-squeal he is picking up vibes from what's around him, like, feelers trembling, whiskers alert: He's charging his voice battery with electricities from without, from the bass, beats, winds and strings and the Bowiebody in the deep waters, layering notes, making waves, raising stakes, singing love dares you to care for the people on the edge of night and love dares you to change our way of caring about ourselves… 

They unleash so much pure live pleasure power together it's unbelievable. But their bodies never become one, bass stays bass, Bowie Bowie, Mercury Mercury. Why would they? To channel the electricity, boost the vibe and create the temporary superbody of a song they don't need to be one. Thank God they're not. Beyond empathy there is urgency wired into proximity, not identity, but contiguity, elecrified difference, causing sparks between bodies. Feel Mercury's feelers quiver. Put your body were Bowie's was, in the place "people on streets" are all the time, transferring energies, rubbing shoulders, whiskers vibrating, sensing that this is ourselves, under pressure…
	
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		<title>Are We Not Drawn Onward</title>
				
		<link>https://big-science.org/Are-We-Not-Drawn-Onward-1</link>

		<pubDate>Tue, 29 Mar 2022 05:54:52 +0000</pubDate>

		<dc:creator>Big Science</dc:creator>

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		<title>works</title>
				
		<link>https://big-science.org/works</link>

		<pubDate>Thu, 17 Mar 2022 16:18:49 +0000</pubDate>

		<dc:creator>Big Science</dc:creator>

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Is this OK?
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Dust Biter

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Are We Not Drawn Onward, We FeW, drawn OnwarD to NeW erA

	
↝ Høstutstillingen 2021
↝&#38;nbsp; UKS Free Your Modernity


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		<title>issue 2</title>
				
		<link>https://big-science.org/issue-2-1</link>

		<pubDate>Mon, 12 Sep 2022 18:31:56 +0000</pubDate>

		<dc:creator>Big Science</dc:creator>

		<guid isPermaLink="true">https://big-science.org/issue-2-1</guid>

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ISSUE #02Chapter 2
Issue #02Chapter TwoA package containing 10 discrete components including:- 3 trading cards of three key characters. - a reproduction of a LIFE Magazine article from 1963, citing Sem-Jacobsen.- a report from independent researcher visiting Sem-Jacobsen in 1956.- a reproduction of a 1956 Newspaper front-page story about Sem-Jacobsen- an original piece of writing by Ruby Paloma.- stickers- instruction bookletall lovingly reproduced and assembled by hand.

	
	BUY A COPY ︎︎︎
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		<title>issue 1</title>
				
		<link>https://big-science.org/issue-1</link>

		<pubDate>Tue, 15 Mar 2022 14:35:04 +0000</pubDate>

		<dc:creator>Big Science</dc:creator>

		<guid isPermaLink="true">https://big-science.org/issue-1</guid>

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ISSUE #01Prologue and Chapter 1
We are introduced to the Psycho Pirate, the Comics Code, Allen Dulles and Dr. Carl Wilhelm Sem-Jacobsen. We are introduced to his archive.Presented in a custom binder this artist’s book is composed of prints of obsessively hand-drawn copies of archival materials.


Issue #01 was shown at Høstutstillingen 2021 (NO) and is stocked at B*stard Books


PROLOGUE SHOWCASE #56: DR.FATE (CHARACTER); THE HOURMAN (CHARACTER); THE PSYCHO PIRATE (CHARACTER); WERTHAM, DR. FREDRIC (1895-1981); COMICS CODE AUTHORITY; COLD WAR; NUCLEAR WARFARE; CENTRAL INTELLIGENCE AGENCY; DULLES, ALLEN WELSCH (1893-1969); BRAIN WARFARE; BRAINWASHING; SEM-JACOBSEN, DR. CARL WILHELM (1912-1991)
CHAPTER 1 SEM-JACOBSEN, DR. CARL WILHELM (1912-1991); MAYO CLINIC; E.E.G ELECTROENCEPHALOGRAM; NORWEGIAN RESISTANCE (WORLD WAR II); LYSGERIC ACID 25 (L.S.D 25); MESCALINE; CHLORPROMAZINE; ROCHESTER STATE HOSPITAL; FORD FOUNDATION; GAUSTAD SYKEHUS; PSYCHIATRY; NORSK TEKNISK MUSEUM
BUY A COPY ︎︎︎

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